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Native American Flutes by Laughing Crow (Richard Maynard)

Native American Flutes created by a musician for the musician.

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If you've come looking for a quality, concert tuned, affordable Native American Style flute, made by Laughing Crow, (Richard Maynard), Click Here.

New Accompaniment CD and Flute Solo CD! To listen to or purchase my music on CD, Click here.

The Native American flute or love flute is a traditional musical instrument. These Native American style flutes are handmade personally by myself (Richard). I hand select each piece of wood, cut shape, tune and finish each flute. No laser machines, no CNC (computer numerically controlled) machines, no imported labor, also no dyes or stains are used. These flutes are not mass produced .These Native American flutes are created by a musician, for the musician. (Of course, you don't have to be a musician to make beautiful "noise" with this instrument!)

These instruments are easy to play, have a big voice and are very forgiving to the novice as well as being great performers for the experienced player. My flutes have a wide dynamic range. Whether one wishes to play softly and in a meditative style or if one wishes to play "out" for an audience, these flutes will perform for you.

(Something a friend of mine wrote to me that  brings it all home)

I've noticed that when I'm depressed, there's no music going in the house.  It's like my heart goes silent.  But that day I heard your beautiful flute music, it became my ray of sunlight.  It pierced my darkness and drew me towards it...towards you.  The plaintive cry of the Native flute brings the sadness out; it cries out the pain that we couldn't cry out on our own.  One blows softly and has to finger the instrument delicately to produce the moans that lead to healing.   Diana

Click Here to go to the flutes.

Below are some testimonials from happy customers. (These are what really makes it all worthwhile.)

Testimonials:

(From Australia) Hi Richard 

Just wanted to let you know how popular your flutes are here.  Angela is currently doing Stella Benson’s Healing Musician Course that I completed and took her flute to play for some people in a hospice.  One man was of Asian nationality and when Angela played the flute he was totally stunned – it took him back to his childhood and he loved the sound.

 Stella is currently here in Australia and Angela borrowed our other Laughing Crow flutes and played them with Stella playing the harp – the number of people that commented on the sound of the flutes was amazing.  Today we had a full day workshop on healing music and David played your flutes in different settings – the comments were lovely - the sound quality is very different to what we are used to here and it really touched people very deeply.

 Thanks again – take care

 Julie

 

Hi This is Kevin......

 
Thank you Laughing Crow for the flute! The resonance is
breathtaking. Everyone that has heard and viewed the flute
has complemented on how beautiful this instrument is. The tone
and beauty are one. Words cannot describe the feelings as I
weave my way through the notes as a windrider. I thank you
from the deepest part of my heart for creating this wonderful
instrument. The melodies echo along the prairie. Although I am
new at playing this instrument, I feel that the melodies that I have
created are becoming more beautiful as each day passes.
 
Again thank you for the flute and I hope to start recording music
soon among the prairie fields.
 
Kevin

Hi!

I picked up my flute today, the birds-eye maple drone. It arrived in perfect
condition. Thanks!

You know, it's not very often where something inspires you to the point that
all you can say, over and over again, is "wow!". What an incredibly
beautiful flute. Your phrase "musical works of art" fits perfectly. It's
equally enjoyable to play, ask my neighbors, I haven't stopped since taking
it out of the box! I particularly like the way you've crafted the mouth
piece. I was concerned that it would be difficult to control the dynamics of
air to the second chamber but your design makes this all very natural.

I really can't thank you enough. Perhaps the only way I may, is by sharing
the gift of your art with others!

I hope the joy your instruments bring to others does more than peek through
from time to time. I think that they don't stop giving from the moment they
leave your hands (and probably long before!)

Music of any kind elevates the soul, but playing music, even more so. In my
limited experience, playing a wind-blown instrument bonds the player with the
instrument, with the music and with the spirit like nothing else (OK, I don't
play drums, they could be an exception).

I have a couple of wonderful flutes. A crow flute from Odell Borg in F# and
a bass C flute in cedar from Colin Peterson. They each play so sweetly, and
they are well made and beautiful. But this flute... this birds-eye maple
drone from Laughing Crow, well, wow! It's easily the finest flute I've ever
seen.

I'm extremely fortunate to touch the culture that has borne these
instruments. And I greatly appreciate that you've not only kept this
tradition alive for future generations, but that you've elevated this craft
to such a high degree of art and function. You inspire me to do more in my
life and career to bring joy to other people. Thank you, thank you, thank
you!

If you'd like to use any of my words in any way, I'd be honored.

And if you ever want to peek into that joy, just close your eyes and sit
quietly. I think you'll hear us all out there making glorious, if not always
so beautiful, music.

My deepest gratitude,

Michael

Hi Richard,
Received flute this week, great looking flute also sounds brilliant.
Thank you for the great service ,was first class you will always be highly
recommended.
will cherish this flute forever.
many thanks
Steve ( England )

Hi Richard,

Thank you so much for the wonderful flute. I love the
voice and she has such a beautiful response and volume.
She has easily and quickly become a very valued part of
my musicality. I feel that I have been blessed by you
with the beautiful instrument to allow me to better
express myself musically and spiritually.

Thanks again for your work and the heart that you put
into it.

Mike

Laughing Crow,

Thank you. I received the flute you made for me. I am playing it and it
sounds great. I have musical experience from playing guitar for the last 20
years, so it comes quite easily to play this great flute. I have always been
a admirer of Carlos Nakai and I have already figured out a few of his
melodies.
Four years ago, I lost my voice due to RRP disease, (Recurrent Respiratory
Papillomatosis). It is basically a disease that attacks the vocal cords and
these aggressive tumors block my airway and have taken my voice away. I have
a faint whisper and I have had multiple surgeries. My life has changed
without a voice. This flute gives me inspiration and I can now create a new
voice, so to speak!
I play melodies to heal myself and keep my spirit strong. I am thankful to
you. From my heart, your gift is appreciated and I will remember you always.

Your friend,

Kirk

More Testimonials

Go to the Flutes.

Lots of people see and hear these beautiful instruments and say "Boy, if I had talent, I'd get one of those!" Most think that if one is not already a musician, there's no chance of being able to create the soothing, inspiring, meditative moods that the Native American Flute is capable of. I try to say, "Oh, they're easy to play!" They reply, "Easy for you!" I have to tell you that almost anyone can evoke the inspirational tones from this instrument with a minimum of effort and practice.

I think it's important to know that the Native American Flute requires almost no effort. One does not need to hold one's mouth any certain way. What I mean is one does not need a special embouchure, such as a clarinet or trumpet player or even someone who plays a concert flute. "Just kiss it and blow" is the short, sweet way to get the point across. The fingering is elementary. The pentatonic scale has no wrong notes. You can play the notes in any order and your song will be "right". The goal is to learn to express yourself with your own song. Play what you see, play what you feel. Look at a tree and play the tree. Watch a hawk circling overhead and play the circles in the sky. Play the clouds.

I have seven CDs that I have created. These are almost entirely improvisation. They are all done using the Native American minor pentatonic scale. This is the scale this flute does best and the scale that is illustrated on the instruction sheet that comes with the flute. I, personally, have never excelled with a musical instrument in my past. I played drums for twenty four years because I couldn't fit in with the standards, the norms which were dictated by the music teachers. (Translates to "hard-headed"). When I found the Native American Flute, I found a way to express myself musically. This is why the Native American Flute is so popular. It can be used creatively by non-musicians as well as by musicians of all capabilities.

You will also find a powerful tool to develop creativity and confidence in this site; "Understanding the Gift" by John Vames. This method book is probably the best source one can find for properly learning all the techniques for playing the Native American Flute. There is no better resource available, in my opinion, for learning the Native Flute. John is a music educator. He has been teaching for over thirty years. This man knows his  business. His book, which is available here, teaches everything from how to place your fingers on the flute, to learning all the embellishments, or "little tricks" that enable you to play like the major players. It takes you all the way to learning how to read tablature, the form of written music created by R. Carlos Nakai for the Native American Flute, with songs in the back you can learn, if you so desire. My favorite aspect of this book is that it comes with a CD in which John explains and performs all the lessons. I highly recommend "Understanding the Gift" available at this site.

Explore the flutes here. Download and listen to some of the examples by clicking on the pictures of the flutes. I hope you like what you see and hear.

Thank you for stopping in. Namaste, Laughing Crow

   Go to the Flutes.

What is a Native American Flute? I've taken this section of an article from Wickipedia which explains it very well.

Native American flute

Main article: Native American flute

The Native American flute has achieved some measure of fame for its distinctive sound, used in a variety of New Age and world music recordings. The instruments origins are unknown, but the theory that it was developed by the Ancient Pueblo Peoples based of Mesoamerican designs is the most common solution. Its music was used in courtship, healing, meditation and spiritual rituals.

The late 1960s saw a roots revival centered around the flute, with a new wave of flautists and artisans like Doc Nevaquaya and Carl Running Deer. Of special importance is R. Carlos Nakai (Changes, 1983), who has achieved some mainstream renown for his mixture of the flute with New Age and ambient sounds.

The Native American flute is the only flute in the world constructed with two air chambers - there is a wall inside the flute between the top (slow) air chamber and the bottom chamber which has the whistle and finger holes. The top chamber also serves as a secondary resonator, which gives the flute its distinctive sound. There is a hole at the bottom of the "slow" air chamber and a (generally) square hole at the top of the playing chamber. A block (or "bird") with a spacer is tied on top of the flute to form a thin, flat airstream for the whistle hole (or "window"). Some more modern flutes use an undercut either in the block or the flute to eliminate the need for a spacer.

The "traditional" Native American flute was constructed using measurements based on the body - the length of the flute would be the distance from armpit to wrist, the length of the top air chamber would be one fist-width, the distance from the whistle to the first hole also a fist-width, the distance between holes would be one thumb-width, and the distance from the last hole to the end would generally be one fist-width.

Modern Native American flutes are generally tuned to a variation of the minor pentatonic scale (such as you would get playing the black keys on a piano), which gives the instrument its distinctive plaintive sound. Recently some makers have begun experimenting with different scales, giving players new melodic options. Also, modern flutes are generally tuned in concert keys (such as A or D) so that they can be easily played with other instruments. The root keys of modern Native American flutes span a range of about three and a half octaves, from C2 to A5.

Native American flutes most commonly have either 5 or 6 holes, but instruments can have anything from no holes to seven (including a thumb hole). Various makers employ different scales and fingerings for their flutes.

Some modern Native American flutes are called "drone" flutes, and are two (or more) flutes built together. Generally, the drone chamber plays a fixed note which the other flute can play against in harmony.

Cedar flutes, Native American style flutes, love flutes.  By any name, these hand crafted traditional musical instruments are a source of pleasure and serenity for most people.

These instruments are meant to be played "from the heart". No musical experience is necessary. Once one masters the ability to cover the holes well and play the scale, creative, meditative music can be made with these flutes. One only needs to breathe life into the flute. No special way to hold the mouth, no requirement to read music. The only requirement is to have fun and not let the enjoyment turn into work. I instruct my students to put the flute down if they become frustrated or tired. Only to pick it up again when they feel like it. This is a "right brain" instrument. The player plays what they feel.

For those who are not musically inclined I offer my own CDs. This music makes excellent background music for meditation, massages, atmosphere for reading, working or surfing the web. You can go to the CD Page for a couple of samples of my music. If you don't have a Real Player you may wish to download one now.

I am pleased to offer a repair service for those of you who have flutes that are misbehaving. Click Here to learn more about this service.

My Guarantee:

"No questions asked, 100% money-back guarantee. If within 90 days you aren't totally satisfied with any aspect of your purchase from Laughing Crow Flutes,  I'll gladly give you a complete and immediate refund of your full purchase price, no questions asked; that's my  guarantee to you."

  This does not include abuse, breakage or improper care and maintenance. If there is a problem, ship the product to me shipping prepaid and I will repair it, replace it or refund your money, whichever you like. If you are having trouble playing your flute, you may contact me by phone for advice on playing techniques. (520)322-9811

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$3.50 shipping on "The Art of the Native American Flute" by R. Carlos Nakai & James DeMars.

 


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(520)322-9811
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Laughing Crow Flutes
C/O Rick Maynard
3331 N. Tucson Blvd.
Tucson AZ, 85716-1130 USA
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Go To My Secure Order Form (if you don't want to use PayPal). Or you can call me toll free: 888-778-3688 or 520-322-9811 (local)

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